Salonen’s Violin Concerto, 2019 acrylic paint on raw unstretched canvas, 4' x 14' |
On Painting Music – A Translation
Believing that this process should be documented, I realized it would have to begin with my unwrapping the loose 14-foot long canvas material that would be put in place on my studio floor. The presence of the film crew was essential during the process. I felt held and supported by all four of them and will be forever grateful for their contribution. Unlike the Boulez work where I took notes while I listened and painted from those notes later, I went directly from the sound of Salonen’s music with which I was familiar to using acrylic paints, thick brushes and squirt bottles directly on the raw canvas. The material would absorb the colors in what has been called a “soak stain,” a technique developed by artist Helen Frankenthaler, a favorite of mine. I welcomed the halo effect this technique produced and delighted on squirting thin paint squiggles over them (as seen in close-up detail photos). Driven by the power of the music which seemed to take possession of my body, I stood still in amazement at what I had been able to do. Perhaps I will get some answers when I see the resulting film. |
Details from Salonen’s Violin Concerto, 2019
Installation in Venice studio August 12, 2019 |
artwork ©Desy Safán-Gerard all rights reserved